Artist Dr. Dax paints a colorful mural as part of 2024 ATL StyleWriters Jam. (Photo by Art Rudick)

When the ATL StyleWriters Jam returns Nov. 7–9, the familiar hiss of aerosol on concrete will signal more than a showcase. The annual graffiti event marks a full-circle moment for Atlanta’s street art community.

Now in its fourth year, the free, three-day Jam brings together multiple generations of Atlanta graffiti artists to create new works in real time along the Atlanta Beltline’s Northeast Trail, with the Mayson Street tunnel serving as headquarters. What began as an underground art form is now recognized as part of the city’s cultural fabric.

“The stories of yesteryear”

For graffiti historian and artist Antar Fierce, who leads the Jam’s Saturday Walking History Tour, the event represents more than collaboration. It’s a way to protect a history that might otherwise fade.

“The opportunity to meet and speak with writers and artists from the previous generations is important because it allows us to hear their stories — the stories of yesteryear,” Fierce said. “In this era where erasure is becoming the standard, especially the stories of persons of color, it is now more important than ever to collect, document, and archive these stories.”

Fierce has spent decades chronicling Atlanta’s style-writing lineage, from early influences in New York and Los Angeles to the distinct Southern voice that emerged in the 1980s and ’90s. He describes the Atlanta aesthetic as rooted in large, colorful compositions and character-driven pieces — an approach that values artistry as much as rebellion.

“The pioneers really took the art-making part of it seriously,” Fierce explained. “It is what we tried to capture a glimpse of in the ‘City of Kings Atlanta’ film. Moving here from New York in the late ’80s, I also noticed there was a lot less beef in Atlanta … which may have inspired a stronger sense of camaraderie.”

That spirit continues to define Atlanta’s graffiti community even as the art form moves further into the mainstream.

An artist paints high on a ladder inside a Beltline tunnel during the 2024 ATL StyleWriters Jam. (Photo by Erin Sintos)

“Something I never thought would happen”

For Dr. Dax, a Dungeon Family member and longtime graffiti artist, the Jam reflects a transformation he never expected to see.

“I still think the city has a long way to go as far as embracing graffiti, but it has definitely come a long way and [it’s] so good to see within my lifetime,” Dax said. “It’s something I never thought would happen in the first place.”

While the city’s acceptance of graffiti has grown, Dax said his motivation remains internal.

“I learned pretty early on that it’s damn near impossible to please everybody,” he said. “I also have faith in my talent that if I like it, they will love it. And even if they don’t, it’s most important that I do.”

“We were here first”

Artist VAYNE, a member of the internationally known graffiti crew MSK, views the Jam as part of a larger conversation between Atlanta and its artists. Painting along the Beltline, he said, honors the city’s graffiti roots.

“The Beltline was built on abandoned train tracks that connected graffiti spots, so to maintain a presence on the path is important for our culture,” VAYNE said.

As public recognition grows, he believes authenticity must remain at the center.

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“Graffiti has been in and out of the civic conversation since its birth. Sometimes the conversation is positive and sometimes not,” VAYNE said. “I try not to take responsibility for anyone other than myself and do my best to lead by example by being a well-rounded style writer and branching out — exploring new avenues while staying true to the core of graffiti, which is letters and style.”

For VAYNE, what endures after the paint dries matters most.

“That we are a city of style and culture and that even though the Beltline is here today, we were here first and we will be here forever,” he said. “We want to do justice to the walls because they deserve the best.”

Man holding a tablet while speaking to a small group in front of a graffiti-covered wall.
Graffiti historian and artist Antar Fierce leads a discussion during a StyleWriters Jam Walking History Tour. (Photo by Dr. Arshley Emile)

A movement, not a moment

From Fierce’s archival mission to Dax’s creative independence and VAYNE’s commitment to legacy, this year’s ATL StyleWriters Jam reflects the long evolution of Atlanta graffiti — from outlaw act to cultural institution.

“What is commonly known as graffiti — or accurately known as Style Writing — has a largely secret but very rich history,” Fierce said. “It is perhaps the most important art movement of our time. This is the new Americana.”

Sherri Daye Scott is a freelance writer and producer based in Atlanta. She edits the Sketchbook newsletter for Rough Draft.